By R. G. M. Nisbet
This observation takes serious account of contemporary writing at the Odes. It offers with targeted questions of interpretation, and indicates how Horace mixed the tact of a court-poet with a humane individualism, and the way he wrote inside a literary culture with out wasting a hugely own voice. even though the booklet isn't really meant for novices, the editors objective all through at clarity.
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Extra info for A Commentary on Horace: Odes Book III (Book 3)
Cf. 2. , cf. 2. ), mankind’s limited needs (25, cf. 2. ), anxiety that cannot be shaken off (40, cf. 2. 48), useless purple (42, cf. 2. 35, 52), the concluding quodsi (41, cf. 2. 47). The central doctrine obviously comes from Epicurus himself: ïP ºýåØ ôcí ôBò łı÷Bò ôÆæÆ÷cí ïPäb ôcí IîØüºïªïí Iðïªåííﬁ A ÷Ææaí ïhôå ðºïFôïò ðÜæ÷øí › ìÝªØóôïò ïhŁ ðÆæa ôïEò ðïººïEò ôØìc ŒÆd ðåæßâºåłØò ïhô ¼ººï ôØ ôHí ðÆæa ôaò IäØïæßóôïıò ÆNôßÆò (sent. Vat. 81, cf. 2. 16. 9 with N–H). In 3. 29, the corresponding poem before the epilogue of the whole collection, the Epicurean element is equally clear: there as here the luxury and anxieties of the city are contrasted with simple meals in the country ‘sine aulaeis et ostro’ (15).
Varr. rust. 3. 5. 11 ‘porticus . . arbusculis humilibus ordinatae’, Colum. 5. 3. 7 ‘vitibus locum . . ordinare’, Mart. 3. 58. 2 ‘otiosis ordinata myrtetis’ (of a villa). sulcis belongs to the laborious side of country life, like ‘hedging and ditching’ (cf. epist. 1. 7. 84 ‘sulcos et vineta crepat mera’); as such it is set against the pretensions of latius ordinet. 10–11. hic generosior / descendat in Campum petitor: the verb suits a candidate going down from the hills of Rome, where the rich lived, to the Campus Martius, where the comitia centuriata elected consuls and 1 .
1. 36 ‘sederat argutas garrulus inter aves’) but to the unnatural aviaries of rich men; cf. Varr. rust. 3. 5. 14 ‘intra retem aves sunt omnigenus, maxime cantrices, ut lusciniolae ac merulae’, Plin. nat. hist. 10. 141 ‘coepimus carcere animalia coercere quibus rerum natura caelum adsignaverat’, G. Jennison, Animals for Show and Pleasure in Ancient Rome, 1937: 116 ff. For music as an aid to sleep cf. epist. 1. 2. 30 f. (of the Phaeacians) ‘cui pulchrum fuit in medios dormire dies et / ad strepitum citharae ycessatumy (cessantem cod.